Henri Dutilleux. Publisher: Alphonse Leduc. Symphony No.2 – ‘The Double’ ( ). Publisher. Heugel. Category. Orchestra. Sub Category. Large Orchestra. As one of music history’s most fastidious perfectionists, Dutilleux’s published works are few. There are two symphonies and other orchestral. There is an old story about Henri Dutilleux which I cited in my review of the Capriccio recording of his Symphony No I do not hesitate to recall it here.
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The completed work was finally given its premiere in January Neither has a world-class orchestra at his command, but both produce fine recordings that complement one another.
Skip to main content. My work incorporates a rather singular formation.
Some items to consider. Yan Pascal Tortelier Composer: It gestated over a long period, having been begun in as a commission from George Szell and the Cleveland Orchestra as part of their 40 th anniversary celebrations. He is a quintessentially French composer, obviously continuing in the vein of Debussy and Ravel with luscious orchestral textures and recurrent nocturnes with gauzy, oblique, fluid, drifting constructions.
Henri Dutilleux – Symphony No.2 – ‘The Double’ () – Music Sales Classical
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Loading comments… Trouble loading? Famously, Pierre Ssymphony stood and turned his back on this work at its premiere as a sign of his disdain since it did not utilize the serial technique than seen as de rigeur by Boulez and his Darmstadt circle.
Dutilleux Symphonies |
No such problems with Yan Pascal Tortelier and the BBC Philharmonic, who allow the music all the space it needs, in strongly symphny, rhythmically well-sprung performances with uniformly excellent solo playing in No.
What a great CD. Timbres, espaces, mouvements is a vivid orchestral explosion of Dutilleux’s way of seeing Van Gogh’s hallocinogenic Starry Night ; his The Shadows of Time is an astonishing and paradoxically radiant meditation on loss, partly catalysed by Anne Frank’s diaries, and written for the 50th anniversary of the end of the second world war; the piece is dedicated to Anne Frank “and all the children, innocents of the world”.
See offer for details. Structure [ edit ] The symphony lasts approximately half an hour. At the heart of The Shadows of Time sympuony a movement called “memory of shadows” that includes music for three children’s voices – an inspirational idea that came from Dutilleux’s overhearing the sounds of children in a playground near his studio.
Image Unavailable Image not available for Color: Get fast, free shipping with Amazon Prime. Dutilleux may have written no more symphonies but he has no more reason to disown the products of his earlier years than have Tippett or Lutoslawski.
The sounds that Dutilleux commands from the oboe and the other instruments is both colourful and imaginative. The effect is devastating because of its directness, but Dutilleux’s music is never mawkishly sentimental.
Symphhony, his music is a realisation of a complete world, independent of concerns for cutting-edge contemporaneity, and one that becomes more essential the more you hear it, above all for how he transforms his astonishing compositional refinement into real emotional immediacy.
A guide to Henri Dutilleux’s music
Dutilleux was not happy with the work: Conversations with Claude Glayman. Donate and keep us afloat.
In three movements, written from toa commission for the 75th anniversary of the Boston Symphony Orchestra, it marked the emergence of Dutilleux’s unique voice, and the writing is vigorous, perhaps reflecting Roussel and Honegger in addition to Debussy and Ravel.
I have had the opportunity of listening to a few of them. Retrieved 26 May Shopbop Designer Fashion Brands. With their broad thematic vistas and persuasive adaptations of traditional forms, Dutilleux’s symphonies offer considerable rewards to interpreters and listeners alike. Sinfonie Concertanti for two flutes and orchestra. Amazon Inspire Digital Educational Resources.